Saturday, January 26, 2013

Art Stories: Part I - Bad Things


For many months now, I have been showing you pictures of things I have done and told about them.  Today is going to be something different.

I’m still going to relate real life things, and art world things, but a little different

This next couple of posts here are going to be stories of the caliber of people in the art world and things that show me the good and bad of humanity.

Today’s post is those that have irritated me and why.

Art Theft


I do studio time at a local studio/coffee shop that also has a gift shop stocked with products from artists who are associated with the place.  A few months back, while I was there, a woman shoplifted several pieces.  Nothing was terribly expensive, but it was a loss nonetheless.  This hurt the shop owner and the artist(s) who produced the works.  It also upset me and probably upset other artists/attendees of the studio.

Art is personal.  The process in which we “work”, contains many emotions different than those used to put together a spreadsheet, program and application or serve a meal in a restaurant.  Those of us who call ourselves artists do sell and gift our work.  Sometimes parting with pieces takes effort.  We do it though.  Some of us do it for money; some create with gift giving in mind, and some do both.  I do not sell my quilts because there is not a good market that justifies the time and money that I put into them, but I am working towards selling my glasswork.

I cannot speak for every artist, but I personally enjoy the creative process more than the retention of the finished work.  Yes, I need to hold and admire my creations for a while – sometimes weeks/months.  I take pictures, document, and set it all aside until I am ready.  Then, I get great joy out of seeing and/or imagining the next person to possess that piece.

However, where we have a big problem with the next owner of our creations is theft.  If someone steals a mass produced product from a retailer, it drives up costs but it does not do the degree of personal harm that stealing art does.  First, when a one of kind, significant piece is stolen – the world is robbed of enjoyment of that.  Think about all the great art works that no one has seen since the Nazis accumulated things pre/during WW2.

Stealing from artists like me is nowhere on the same playing field as a missing Monet, but it is far more hurtful and discouraging.  We can almost understand stealing a million dollar art piece – it is a saleable commodity.  Humanity as a whole takes a hit when boutique artwork is stolen.  Those pieces are not going to provide a living to the thief when he/she resells them, nor will their personal value to the thief balance out the damage done to all involved. 

It is not food or clothing that is needed to survive.  It is not money to pay a heating bill so one does not freeze in the Minnesota winter.  No, stealing art is taking something from others just because you want it.  That is about the ultimate in selfishness. 

Purse Theft


In addition to glass studios, I also spend a lot of time in fabric and quilt shops. 

Really, I do!

(Like anyone who knows me would doubt that!)

Anyway, shopping at a quilt shop (and the fabric sections of large crafting stores) is vastly different from shopping at the grocery store.  It is an interactive experience; we quilters often jump into conversations with fellow shoppers even if we have never met them before.  It is not uncommon to ask the stranger looking at another bolt of fabric for their color advice on your own project, or to be the one offering up advice.

While we may take a dress to the shoe store and hold it up to the clerk to ask for assistance in picking out shoes to match, at a quilt shop, we may take up a HUGE area on the floor to lay out a quilt and pick out borders.  In the shoe store, one interacts only with the clerk; but in the quilt shop, that quilt on the floor will engage most of the people in the store, and elicit any number of helpers and comments.

What I am saying is that quilt shops are a “club”.  Camaraderie is the focus and all quilters are friends.

Would you steal your friend’s purse?

I know I would not.

I have heard of two purses stolen from two different quilt shops in the last year.   I can understand a purse stolen from a grocery store (especially from carts where people put them in the seating area and wander away.  I never do that and I think it is just an invitation for trouble).  Grocery stores are large, impersonal places where everyone goes.  Quilt shops are small, cozy, clubs.  There are specialty places where people go to discuss their art.  It just seems far more wrong to steal from there.  It is akin to breaking into someone’s home.

If There Be Damage


Background:  The studio section of the shop/studio/coffee place I go to is a large, open room in the back.  There is a large square table area on one side, and a smaller rectangle table area on the other.  Open studio participants can be there when classes are going on; it is all rather casual.  Generally, classes use the larger area, and any artists like me seeking to work on their own, sit in the smaller area.

A week ago, I went to my usual Friday night studio session.  There was a class that night – cub scouts doing a stained glass project for a badge.  I estimate the boys at 10 to 12 years of age.  I was working on jewelry – small squares of glass covered with millefiori to be exact.  Each piece varied, but basically I spent a lot of time arranging 4 – 8 mm sized pieces of millefiori onto base pieces… time consuming, exacting AND touchy.

At one point, I went to the kiln that I was loading to put in another piece.  A boy and his father were standing by the kiln and the boy was pointing into the kiln.  I thought that he was admiring my pieces.  I started to speak to him – asking him if he wanted to see some of the fired, finished pieces. 

Both the boy and his father did not meet my eye, and did not really listen to me.  I stopped… after a couple seconds, the father – still not meeting my eye – stated “he touched one”, and they both turned away.

Dismayed, I looked into the kiln.  Yes, the boy had touched one and the tiny millefiori pieces were scattered.

Now, the fact that he touched was not the horrible part.  I can understand that.  I have touched things I should not have, have broken things at that age, etc.  Any child that age has a natural curiosity and some lack of understanding of what should/shouldn't be touched.  Children will be children.

However, what upset me was that NEITHER of them apologized.

The boy who damaged my art did not apologize, nor did his father make him do so.

That hurt.

Conclusion


I will end my stories for this post here. 

The gist of all this is that art is personal. 

It needs to be respected as such.

Enjoyed, shared, traded, sold, etc., etc., but also respected above all else.  There is a piece of the artist in each and every object and when it is disrespected, you hurt the artist and the artist community.

Sunday, January 20, 2013

Feeling Creative


Today’s accomplishment is that I did NOT blow the circuit. 

This is actually quite a big deal…

Really!

Background – those who know me know that I am incapable of taking care of myself.  I lock myself out, possess little common sense, etc.  I am brilliant in my own ways, and am (I think) a good artist.  I hold a pretty good job, and do well at it; I am just not cut out to live alone.  My dear husband takes VERY good care of me and I think I return the favor in different ways (Race cars people – get your minds out of the gutter…. J )

It is Minnesota, and we have a fairly large and very old house.  The wiring is interesting and we keep it cool.  We have a room-sized space heater in the living room right now since it is so cold.  ANYTHING else on that circuit will cause a problem.  That circuit is also where I usually use the iron when I am quilting.

I am so proud of myself, without my hubby even being home, I remembered that fact, and plugged the iron into a different circuit, instead of the usual spot.

Quilting Again

Why was I using the iron?

Please tell me you did not think it for ironing clothes…  cue hysterical laughter

No, it was for QUILTING!  After quite a hiatus, I have dragged out my quilting things and have dug in.  I have been buying fabric (and doing some bindings) but it is high time that I start reducing the stash rather than just continuing to add to it!

I cannot talk about the current two projects or show pictures as they are gifts… more to come.

Glass Work 

Advertising Help Needed 


I have not sold anything yet.  I am not doing any advertising, etc.  It was basically setup to help me organize, but now I have so much glass work and I really need to get moving on this. 

So, here is my deal to my friends and readers.  Help me.  Prove to me that you are helping me.  (I need some ideas on that… ) and I will give you a glass pendant of your choice.  I do not have a real plan for this yet…..

If someone buys something from me and you referred them, tell me.  If you put some ads out for me on a site that generate some traffic (not even buys, just traffic) show me… etc. 

Any ideas anyone?

Millefiori 

Millefiori has been my life lately.  I have bought a bunch of these tiny little glass pieces and I am arranging them into cool things.  You may have seen my necklace of several posts back that was made of five glass components – three made with millefiori and two with glass and frit.  I am currently making a LOT of those components and will start putting them together into pieces.

It is a several step process:  
  • Designing and arranging.  It takes patience to put 3 to 10 mm little pieces onto small squares and rectangles of glass.
  • Firing
  • Examining and grinding sharp edges, etc.
  • Re-Firing to remove grind marks, fire polish, etc.

In my usual Friday night studio time this week, I filled up the small jewelry kiln with about 70 pieces!  I picked them up today and have made notes on which I want to touch up.  I also have determined that I need to buy some smaller bails for earrings as well as connecting pieces in a necklace.

Here is a picture of the kiln filled:


I will spare you the 100 or so individual pictures of things pre firing, post firing, etc.  Most of them are crappy and do not show a lot of detail.  I have documented them for my purposes but I would just bore you with them here.

Here are a couple – pre and post firing – just to give you a taste!  When I have some completed pieces, I will post them here. 

  • Three pieces, the first is two millefiori on a base (two were made, this picture is of one) and the second is six millefiori on a base.  The millefiori is a blue/orange/white/black flower pattern and the bases are white.  The first two pictures are pre-firing and the third is post.  They will be a pendant and earring set.



  • Two pieces.  Both are identical.  There are ten different millefiori on a green base.  Pre and post firing pictures.  I have no plans with these yet.  Maybe combine with a larger piece - one on each side - for a necklace.




  • I've made three of these.  There are 17 millefiori pieces on a green base.  The first picture is two of them pre-firing.  The second picture is one of them after TWO firings.  I ground the edges and put it back in the kiln for more rounding.  The third picture is of the finished one (in the middle) and the other two prior to their second firings.  No plans yet with these.





  • This is a larger piece - pictures are pre and post firing - with several sizes of millefiori on it.  This one will be ground and re-fired to get rid of the sharp edges. 




  • The orange "Marmo" millefiori are my favorites as to how they behave.  I also like the white base glass best.  It behaves nicely and doesn't need more grinding after firing.  This is three larger millefiori on a base.  Look in the post firing picture as to how the glass rounds nicely and the millefiori spreads.  I've already made several more of these because the studio owner has asked me to sell some of the specifically!




  • These are very similar to the above.  I just swapped out the middle millefiori and added little ones around the sides to create a busier look.  Are they not just so nicely rounded?!




Wire 

I also mentioned that I have been experimenting with wire in glass.  I have been using my scrap glass mostly.  Some of the pieces are bad because of what that glass does/doesn't do, but it has been a great learning experience.

My biggest learn is that wire creates nasty bubbles if tightly coiled/larger pieces. 

Nasty bubbles….

Not the nice pretty little ones that are pleasant to see in glass.

Nasty, nasty!

Wire should be used sparingly, with little twists and curves, and have sufficient space between them to allow for glass melt.








I have used copper wire on all of these – which either turns dull silver colored or takes on some light shades with the glass.  My next step is to move onto silver wire, which looks far better in glass.  It is, however, considerably more expensive.  I think I am ready though…..

I am also ready for bed, so I am ending this diatribe here!  I promise to write more soon

Saturday, January 12, 2013

First Post of the Year


New Year’s Eve was spent on the couch… as was New Year’s Day….

Sick…..

Icky

So, this is really the first time that I have had the time to write, and the energy, and had things to write about.  I finally got to the studio again to both pick up things to show and to create new.

Where is My Focus?
The last couple months have been bad, good, and everything in-between.  It has been an emotional roller coaster for a variety of reasons and I have also been dealing with some health issues.  I will spare details because this is my art blog, but suffice to say, all of that has put a damper on both my prolific crafting and my ability to design/create.  The ideas are just not there, nor is the ability to concentrate for long periods of time.

I have largely put aside quilting until some of this passes.  On NYE, I played around with polymer clay.  I tried baking some of it, but I was not happy with the results so I am not going to show those items yet.  I think I need to get a proper clay oven, rather than trying to use the toaster oven.  I think hubby will be pleased with that as well.  He was the one who had to clean the oven…

Beading/jewelry work and going to the glass studio have been most of my efforts.  They are both mediums in which I do not need to do a lot of setup or cleanup, and have projects that take shorter bits of time.  The polymer clay was fun to play with, but it takes longer to make things.  In fact, I have a project stored in a plastic container that is only about half done.

So, as a result – lately I have been experimenting.  Some things I have been trying:


  • Combining some of the glass pieces into necklaces (showed last post)
  • Cutting copper foil into shapes and putting in glass
  • Twisting various metal wires into shapes (scrolls) and putting into glass
  • Twisting copper wire both into shapes (in-between glass) and bails (sticking out of the glass) for a combo effect
  • Millifiore jewelry (see here for various millifiore pictures)
  • Doing things with my torch work beads
I think I have written about glass and COE (coefficient of expansion); how there is 90, 96 and 104 glass and you cannot mix them.  The first place that I did studio time at used 90 so I bought a bit of that.  I also bought a lot of economy (read:  cheap and poor quality) 90 from the glass warehouse.  Since that original time, I have determined that I want to use 96 (and 104 for the milliefiori and specialty).  However, I have a larger than useful collection of 90 and want to use some of it up.  To that end, I have just been doing random pieces based more on experimenting with shape, size, placement, etc, than trying to design significant pieces.

The result is some interesting things.  Some of the glass is doing what I think it should, and other pieces are not.  The most interesting part is some glass from the “economy” pile.  I have made a couple pieces in which it’s a single layer with some things put on top of it.  By theory, it should scallop more than it is at the edges.  I think the glass is just so crappy and improperly made that it does not behave as I expect (and as I see in other, better quality, glass).  The edges are not rounding as glass does either.  It is creating some interesting pieces.  One thing that is working as expected is color blending.  I am learning a lot about clear, opaque, semi-transparent, etc., and how the colors behave with each other.  That is all learning that I can carry over to better quality glass.  None of it is a waste.

Metal is a new one on me.  I like multimedia effects but have been a little afraid to try things.  I bought copper foil MONTHS ago, and finally tried it out.  Now I have to think of more things to do with it.  It worked out well (I have showed some pictures here).  I then tried wire.  I twisted copper and steel wire into scrolls and tried them out in a few glass pieces.  The 90 COE was used, and they are in the kiln now.  I hope that they will turn out and I will post them here soon!

Then, today I was looking around the studio a little and saw something else with wire.  The wire was both part of the design and the “bail” for the pieces.  I twisted some copper wire into some fun shapes, and then twisted a loop at the top.  The loop sticks out of the two layers of glass.  We will see how that turns out too!  I am pretty excited.

Pictures
Since I am in my “experimenting” stage, I am just going to throw a few pictures out there, say a few words on each, and end this post.  I have a couple nice pieces I did, but I do not have pictures yet (I want to take them outside in the sunlight, rather than the crappy indoor winter light). 

Finished Glass and Enamel Pieces
These pictures are pieces that I have already shown, just with do-dads, bails, chains, etc.  Nothing much to say here…. Just look!














A little Touch of Steampunk
This is a piece put together with some charms from Joann’s and a little bit of chain.  Nothing special, but something I hope to use in costuming.


Beading
Three pieces to show here.  The first is a long necklace put together with torch work beads I made and some little beads in a neutral color. 

The other two necklaces are made from some beads I got at the Original Sewing and Quilting Expo this fall.  They are made out of paper!




Full Fuse versus Tack Fuse
These are two pieces that are made with almost exactly the same except for the firing.  They are both white base with rounds cut from rods put on top of them.  The first one is a tack fuse – just enough firing to hold it together and smooth out the edges (not rounding them).  Each piece in the arrangement remains intact and separate.  The second one is a full fuse (it also has some stringers in it with the rod slices).  The full fuse totally melts everything together and flattens the pieces to one mass.



Experimenting with 90 COE
This piece is strips of an expensive hand rolled glass (the pink/mauve) next to black strips put on top of a sheet of light/muted yellow.  The two different glasses melted differently and created a ragged edge.  I have thought about grinding the edges and refiring it to “fire polish” it.  My hubby says he likes it this way, so I am going to put it on my table and look at it for a while.



I bought some glass a while back – not quite the “economy” glass.  It is very rough on one side… VERY rough – craters of ¼ inch depth and greater.  I got it in both red and black.  I have shown pieces of it before here in the blog.

This is a small plate made of the red.  I have put clear glass on TOP of the roughness which created a great many bubbles.  I love this effect!


In this piece, I put a black glass beneath the smooth side of the piece.  The top is textured, but smoothed out from the firing. 

These two plates are made with the 90 COE.  The bottom is a single layer of glass and then squares were put on top.  This is what I talked about earlier with the bottom NOT scalloping or rounding as expected.



90 COE Jewelry
These are all pieces with the 90 COE that I will use for jewelry.  The blue and deep purple bases are like the pieces above where the edges did not round nicely.  I need to grind the sharpness out of them a little.  The pictures show that grinding which will be negated when I rub and polish them a little.  I just took the pictures a bit quickly to post today!

Two Pendants

 Necklace “Beads”

 Earrings

 
 Pendant

 

Pendant
More 90 COE Jewelry
These pieces are made with nicer quality 90 COE glass.  I think that each piece is going to be a personal piece for my family or me.

Simple Pendant – This is made of a little scrap of an expensive glass I use in leaf bowls.  I am going to put a bail on and then…?


Dime Heart – What do I mean?  This is a neat piece.  Someone else cut a heart from the center of a dime.  I took the scrap that she left and put it between white and clear glass.  It did some interesting things.  First, it separated out a little, but the interesting bit is that it created a BIG bubble in the center.


The Nice Glass – Pendant Set 1
I bought a really nice piece of mauve/white hand rolled glass.  I am going to show some things with it later, but meanwhile, here are some of the scraps made into jewelry. 

This set is made with odd bits and pieces of 90 COE glass. 






The Nice Glass – Pendant Set 2
This set of pendants was made for gifts.  Each one is made very simply – a base glass covered with the good glass OR the good glass as the base covered with clear.  Some of them are made with fiber paper to create a chain channel, and others will have bails glued on.  I have pulled out a couple individual pictures to show the glass. 





Best for Last!
I made another 8 x 24 panel.  This is made with all 90 COE.  There is one funny thing about it – see that pink in there?  It is not supposed to be pink.  When I put it in, it was clear.  Somewhere in my collection, I have some color changing glass and I do not know which it is!!